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                   Both 
                    Esslemont and Schanilec are established, accomplished and 
                    award-winning artists in their own right and their unique 
                    relationship is revealed in this selection from their email 
                    correspondence. It 
                    is both extraordinary and mundane, yet fascinating and entertaining 
                    as they revel in the possibilities afforded by the computer 
                    and the instantaneous transfer of electronic data. Communication 
                    has taken on a new meaning. 
                  Covering 
                    a period of four years the conversations are concerned primarily 
                    with the making of books. The daily exchange of emails during 
                    the summer of 2002 for example, when Esslemont and Schanilec 
                    were simultaneously working on books, reveals the anxiety 
                    and strife associated with this particular creative activity 
                    and displays the extraordinary detail that book artists must 
                    consider. Domestic life is interwoven as are the passing of 
                    seasons and world events.  
                  With 
                    Introductions by Andrew J Armacost, Head, Antiquarian Department, 
                    Oak Knoll Books, and David Chambers, Editor of The Private 
                    Library.  
                   
                     
                      Armacost writes:  
                      'In one way, the correspondence of Gaylord and David is 
                      a daybook chronicling the seasons of the year in Wisconsin 
                      and Wales. In another way, it is a diary, with production 
                      notes, of editing, printing, and producing some important 
                      books. It is also a log of two personal journeys, a record 
                      of the writers struggles to manage personal lives and professional 
                      lives in the midst of children, book fairs, accolades, and 
                      calamities. Still another important story is Gaylord and 
                      Davids continuing dialogue about their current printing 
                      projects and the implications of their individual printing 
                      decisions.' 
                    Chambers 
                      writes: 
                      'For 
                      the curious reader . . . there is much detail that can be 
                      recounted, at parties in the elegance of London or New York, 
                      to entertain one's bookish friends  and even one's 
                      acquaintances who may be into golf or bridge.'  
                   
                   Illustrations   Edition 
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